Wanna know the best advice I ever got?
“If you want any chance in hell at building your yoga class, don’t listen to your students.”
Shocking right?
The mere thought of preparing your own ideas.
And fighting for your own beliefs.
We’ve all heard this one before, “You’re class is too hard and I felt completely lost in there.”
When really, that’s the nice way of saying…
“Your instruction was horrific and you looked like an idiot in there.”
You think to yourself, “I hope she never comes back.”
But secretly, you just feel dejected.
And guess what?
She comes back.
And this time, you’re sure to hand her a blanket, and a pillow, and you even take a cucumber and put the slices in her water.
Like the spa.
Thinking it’s going to fix the problem.
But it doesn’t.
As yoga teachers, we fear this more than anything:
The opinions of our students.
They haunt us like recurring nightmares.
And if we do the wrong thing, or say the wrong word, or pick the wrong pose…
Our students will *instantly* transform into bloodthirsty, robotic scarecrows.
March together down the corn field, equipped with pitchforks, chainsaws, and baseball bats.
Looking for little old you, hiding in the corner of the barn.
Ready to batter you, then cut your head off the first chance they get.
Ok, you can wake up from your dream now.
You alive?
Some Other Little Things We Fear
As yoga teachers, we fear inadequacy.
And we fear being boring. And we fear being invisible.
One way to inject a little creativity into your teaching is to sprinkle an advanced asana or two throughout your class.
I’m the Co-Director of Avalon International Inc., in Palo Alto, and I lead its Teacher Training Program.
With every group of students, this always becomes an interesting topic:
How to effectively add “advanced” asanas to your yoga class without murdering your students.
There’s a big difference.
Integrating advanced asanas into class is different from making a class difficult.
What is an Advanced Asana?
This is important. And it’s important because when students & teachers hear the word “advanced” they immediately think difficult.
However, that’s not the case.
Advanced is relative.
Take me as an example, I’m an extreme case, but I’m illustrating a point. I don’t find a single arm balance on two hands difficult and that’s including handstand. I wouldn’t need very much instruction.
Here is my definition of an Advanced Asana:
Any pose where students need a step-by-step “how to” breakdown.
Also, there’s a difference between queueing a pose and giving step-by-step instruction.
Have you thought about that?
Teachers are afraid to introduce these asanas into their classes, and contrary to what you might think, it’s completely okay to do that. Your students will actually appreciate seeing something that’s slightly above their level.
But listen, only if you do it right.
Here’s what not to do (this happens a whole lot more than you think):
Assuming a MSAL (Mixed Styles All Levels) class, a teacher will just randomly shout out at the end of a sequence Eka Pada Koundinyasana 2.
And of course, there will be a few students who can do it.
With no instruction from the teacher, they set the tone.
The classroom is a more competitive environment than you think.
And let me let you in on a little secret, because it’s so easy to become a yoga teacher, the standard of yoga teaching is poor.
Ok, I’ll admit it here.
I go to classes under cover and pretend like I don’t know anything and fire away at the teacher to see what he/she knows. Unfortunately, it’s pitiful most of the time.
Asking most yoga teachers for basic instruction is like asking a grocery store clerk to manage your finances.
Let’s use Eka Pada Koundinyasana 2 (I like this pose) as an example because I’ve watched a lot of students in a lot of classes get injured in this pose by simply trying to force-straighten their front leg.
Your objective as a yoga teacher is to provide value to your students.
You can do that by slightly altering your language, but it takes a little bit of ground work.
Pose Trees
Pose Tress are like mind maps for more advanced yoga poses.
Not only are they great for teachers but, they are great for aspiring practitioners.
Let’s continue with our Koudinyasana 2 example.
Can you think of all the components necessary to do this pose?
There’re lot’s of them, let’s make a list:
- Hip flexor flexibility
- Hamstring flexibility
- Arm strength
- Wrist strength
- Core Strength
- Balance
Now what to do once you have all of these components listed and mapped out?
Underneath these components make two sub-categories, one for any general stretches (this will unlock your own creativity) and another for yoga poses.
Using the first two as an example, many students don’t have the hip flexor mobility to actually lift the back leg nor do they have the hamstring flexibility to fully straighten the front leg.
Now think of specific stretches or yoga poses you can do to increase your hip flexor mobility and your hamstring flexibility.
You may be confused so:
Mobility Vs. Flexibility
Flexibility is simply your body’s capacity to move into a specific stretch or position. Mobility is using your flexibility to move through a specific range-of-motion or exercise. One is static and one is dynamic.
Lizard pose is a good example of how to stretch the hip flexors. Supine splits or half splits is a good was to stretch the hamstrings.
This is what we created in class:
It’s much easier to see what’s going on once you take a quick look at the picture.
So you can see on this “tree” that I’ve got Koundinyasana 2 and then below I wrote a couple of the components (didn’t write all of them because I was constrained by the space on the whiteboard).
Below the components I chose 3 poses or stretches that would address each of the individual components.
Creating these pose trees will give you an ironclad approach for handling advanced asanas.
Once you have a method for handling advanced asanas, it becomes a lot easier for you to learn them yourself. If you honestly address your weaknesses from the components, you can make a concerted effort toward learning the pose by focusing on the stretches/poses that sit below the components.
What’s that little box below?
That’s a self-practice box.
I designed a simple self-practice routine that can be done in 15 minutes per day. Breaking poses down and working on them consistently is the tried-and-true method for learning them.
On Custom Practice Design
Pose trees are an extremely powerful way to get results. People always misinterpret this. Yoga isn’t just about getting results but, learning new poses keeps people coming back.
Yoga has no endgame.
That aside, I use these pose trees and design programs based off these trees with every single one of my clients.
They get results.
As a teacher, it quantifies what needs to be learned and in which order. As a student, it accomplishes the same thing.
My self-practice is based off these trees. They’re powerful.
How to Apply Pose Trees to Your Class
Simple shifts in language make the world of difference for students.
For example, let’s say you want to introduce Koundinyasana 2 to your MSAL class.
Here’s some specific language to use:
Always think outside-the-box modifications.
1. “If you want to try Eka Pada Koundinyasana 2, you can do that now. Or, if you have a hard time lifting the back leg off the floor, try lizard pose (demonstrate it), it mimics the back leg in this arm balance.”
2. “If you want to try Eka Pada Koundinyasana 2, you can do that now. Or, if you have a hard time straightening out the front leg, try this half-splits stretch to condition the front to start extending in the arm balance.”
3. “If you want to try Eka Pada Koundinyasana 2, you can do that now. Or, if your arms are collapsing, try this version of chaturanga with blocks, it will help you to develop the arm strength to hold yourself in this pose.”
Then, in addition to these modifications, show actual Koundinyasana 2 modifications. Approaching poses this way will quantify what needs to be learned for your students.
The more pose trees you create, the faster you’ll get at id’ing the poses that will directly impact the pose you want to learn (and as an extension teach).
3 Ways to Provide Value to Your Students
1. Make Pose Trees for poses that your students find difficult.
Can I say enough about these Pose Trees? They’re just a win-win for everyone, you as a teacher, and for your students.
2. Provide insight by connecting the simpler poses to the more complicated ones.
Connect the dots every opportunity you get. It’s helps your students to understand fundamentally how their bodies work better.
For example, when teaching Warrior 1 to my students, I say something like this:
“Ground through the edge of your back foot and roll your back thigh slightly in and down. This action in your back leg, to help square the hip, is the same action in both of your legs in handstand.”
Bam. All of a sudden, the students ears perk up.
3. Motivate your students to come back by teaching advanced asanas in parts.
This concept is hard for the type-a yoga teacher to grasp. You do not have to teach your students every pose in every class. Rather teach more difficult things in bits and pieces and encourage them to come back.
Say something like this:
“Over the next 2 months I’m going to introduce headstand to the class. I’m not going to show you the entire thing today, but, over the next 8 weeks I’m going to show you parts of the setup and effective prep poses to help you learn it safely and correctly.”
It’s Time to Give Your Students What They Deserve
I have faith in you.
Because really, as a yoga teacher, how many times have you asked yourself,
“Do my students like what I’m teaching?”
“Are they bored?”
“Do they like me?”
Rather than running to the corner of the barn. And hiding from your students and the pitchforks and the chainsaws.
Now you can give them something they enjoy.
And you enjoy.
Now you have a blueprint, in the pose trees.
To take control of your class. And quench the intellectual thirst of your students.
Who all along, have secretly wanted more, but were searching for a leader to take them there.
They’ve been looking for someone to love, and adore, and to repeatedly shower with praise.
And now they have you.
So what are you waiting for?
Get out there and go teach.
Your students are waiting for you.
Sophie says
Great article, Brian, and some overall good advice. But there will always be students in class that are new or are struggling and so are saying you should never try to adjust your teaching to help them along?
And if you’re teaching in parts, what happens if a new student starts in week 4? What do you do then – tell them to start again in a few weeks when you “start over” – or maybe you never start over, you just continue to build the class?
I have one class with a fairly regular, predictable group – building a routine works, but what I see is that new people have a hard time joining in with the students who have already formed a sort of clique. What are your techniques for welcoming new students in that sort of environment?
I teach another class that is over 50% travelers/visitors to the area each week. How do you build a practice in that environment that suits both your repeat students and your new ones, that may or may not much experience at all.
Brian Aganad says
Hi Sohphie,
Great comment! This could turn into an entire post in itself.
If you’re referring to the quote, of course, you should always have multiple variations and modifications ready to go for you students. But don’t alter the entire course of the class for one student.
I can give you a good suggestion on the teaching in parts thing. This one should answer a couple of your questions.
Leave some time in your class, like 5 minutes or so, as “free-time” for your students. You can use that time to bring anyone up to speed.
I always give my students 10 minutes or so (keep in mind my students are pretty advanced) to work on whatever it is they want to work on. Then I walk around , help and introduce myself to all the new students.
Another thing that works really well for building community in your classes is to always have your students introduce themselves to the person on their left and right. It really helps to bring a sense of togetherness in the room.
Let me know if this helps!
A yogi says
Oh Brian, then please write a whole post. I soo hear you Sophie! 😀 I have exactly the same 2types of classes. New students joining whenever along with older students with whom I have already worked consistently. & in other classes Floating population.
Brian Aganad says
That’s something I definitely have planned in the future!
Anonymous says
I read other post on fear few times and now this 1, and it is good to understand you feel fear too. I took class from you 6 mths ago and was 2 afraid 2 go 2 yoga again. 1 reaso was it 2 hard for me and 2 reaons was i had fear that you did not lik me bcuz I was not as good as your other students. Maybe now I will try agin.
Brian Aganad says
Hi Anonymous ( I know that’s not your name :-)),
Yes, we all feel fear in one way or another. Keep in mind, my classes that I currently teach are specifically for stronger students, although anyone is welcome. And because my classes can get pretty crowded, it’s hard to get to everyone. But I try! This post was written specifically for a typical “Multi-Level” class where you truly have a wide range of practitioners there.
Come back again and introduce yourself, you’re more than welcome.
Tom says
Hi Brian,
I found your blog 4 hours ago now and cant’t stop to reading and dowload everything i find, so i simply want to say thank you it’s priceless, really, thank’s for sharing.
No questions so far even if, sometimes i having a hard time understanding/translating everything.
(I’m french^^)
Please keep posting!
Brian Aganad says
Tom, glad you found it! Welcome to the family, let me know if you have any questions 😀
Kelly says
There are a lot of sources that give lists of poses to work up to an advanced asana, but I love that the Pose Tree gives me a tool to come up with the answer on my own and forces me to think about how it all fits together. I put a lot of time into each of my classes and hope that it translates into happy, returning students. I teach a MSAL Flow class and I have many students that compliment me and say they love my class, but then they don’t always return regularly. It is so hard not to take it personally, but I work at a studio with a large and varied schedule, so they can take their pick each day of a class that works for them. I just try to remind myself that whoever walks through my class doors each day is who was meant to be there. I would love, however, to see my class numbers grow and stay steady. I hope that this approach will help me with that. I just found your site and already find it to be a great resource, so thanks for taking the time to provide it. Oh, and I love that I can practice just 15 minutes a day to see if the progression of poses are working together for the end result (not that there really is one, but ya know, haha), because between teaching and my own personal practice which I keep separate from my classes and my planning for those classes I don’t have a whole lot of extra time. Thanks!
Brian Aganad says
Kelly, don’t get discouraged, stay positive when it comes to building a class. It happens slowly. Remember, just aim for 1 new consistent student per month and by the end of the year you’ll be more than moving in the right direction! Let me know if you have any more questions. 🙂
Cheers,
Brian
Kelly says
Thanks Brian, that sounds like a doable goal. Patience isn’t always my strong suit, yoga helps with that, haha. Question, is “sitting inside heel pose” malasana? Also, I have a lot of students ask what they can do about wrist strength. I always tell them that it takes a lot of time to build it and to just keep practicing. Is their any other better advice I can offer them, specific poses, stretches, etc. We do some “wrist therapy” each class as well, but maybe there is more I can do for them. Thanks in advance.
Brian Aganad says
That’s called Virasana, sitting in between the heels. And for wrist strength, normally where wrist pains come from is doing too much on the arms without the proper core strength to support the body. This causes excess pressure in the joints and primarily the wrists. So strengthening the core is one of the best ways to protect your wrists!
Neil says
Hi Brian
I get the idea of pose trees and I can see their point definitely, but where do you start ?
In your tree you have 4 parts at the top : Hips, Hamstrings, Arm, Core. So do you start with hips first ? If “yes”, how do you know what you should start with hips, or doesn’t it matter which you start with ?
Also, say you start with Hips, do you do all the postures in that section first and then go onto Hamstrings ? What if there are postures inside the sections that can be connected to postures in other sections to make the sequence more fluid e.g. the plank types? Would that be better than having a kind of “jagged”, stop-start, up-down-back up one ?
Thanks
Brian Aganad says
Neil, you can create a sequence based off those poses. The tree is just a general guideline for what should be included in your actual sequence. Make sense? 🙂